Peter Bihr

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December, 2010 Monthly archive

??? - Maneki Neko

“Two is a trend, three is a tradition”, I once heard. If this post makes my annual (#2008, #2009) round-up of the closing year a tradition, then so be it.

As round-ups go, they tend to be more interesting for the author than the readers. Like every year I say:

The longer version below will be more interesting for me than you, probably. If you skip this post I won’t be disappointed. I promise ;)

So bear with me, and feel free to skip this one. Or comment away, whichever you prefer. I always enjoy hearing from you.

So here’s my 2010, a year that turned out to be a nodal point for many vectors going on in my life, and that I certainly won’t forget. Also, a year that felt like it set the course for a whole lot of awesome stuff over the coming years. Onwards, in bullet points!

Biz! Business-wise, it was a year that had a (surprising, for me) focus on broadcaster clients. As opposed to 2009, which was all about politics and political campaigning, 2010 brought plenty of work for public broadcasters, and a few publishers. You could think I turned into a media guy. (Fear not!) Super interesting to learn more about the ways large broadcasters work, and learn about the challenges and opportunities they face adapting to the social web. That was the first half of the year, as a freelancer. The second half was dedicated to starting a new company – see below.

Learnings! Early 2010 also brought some insights into long-term planning (diversify!), as well as the notion that good tax advice is totally worth it (ouch). Note to self: read this, every year. Some mistakes are too dumb to repeat.

SXSW! Early 2010 also brought me to Austin, Texas, for SXSW, and before to NYC for a few days. My close friend Igor Schwarzmann joined in on that trip, and of course we had a blast both in New York and in Austin. What none of us were expecting at that point is that our conversations there would eventually lead to Igor, Johannes and me founding a company just a half-year later. (More on that later.) Also, until about 48h before the conference kicked off I had no idea I’d be hosting a panel at SXSW. Phew. Good stuff, but phew.

Trips & travel! According to Dopplr, 28 trips lead me to 15 cities in 6 countries. Roughly the same as the year before (and likely much less then next year), but what a time I had.

Conferences & conventions! I had planned for a while to cut down on conferences and only attend the ones I definitely wouldn’t miss. This year, the conferences & conventions I attended were SXSW, republica, reboot/Ersatz, Picnic and Mozilla Drumbeat – not a single one I would’ve wanted to miss! In addition I co-organized Ignite Berlin and TEDxKreuzberg, both of which I enjoyed a lot, too, thanks to our great speakers and audience.

Punditry! Just kidding. I’m not a pundit (haven’t ever been one). However, I was psyched when my friend and long-time collaborator Dr. Max Senges invited me to be a member of the Google Collaboratory on Internet & Society. Also, much more media attention for all my pet projects than expected.

Research! Somewhat missing the kind of in-depth digging you can do in an academic context while studying, Christoph Fahle and I did a mini study on the social situation of coworkers at Betahaus Berlin. This wasn’t just one (of many!) collaborations with the fantastic Betahaus crew, it also shows that the good folks working at Betahaus and in coworking spaces across the city are advancing the city’s creative industry against some pretty messy circumstances (in terms of support by the government). Keep it up folks! The same goes for Betahaus – these folks have established themselves so firmly in the city’s landscape, and become such a focal point for all kinds of awesome activities: Thank you guys!

Third Wave Berlin! Before heading over to SXSW in March, Igor, Johannes and I had joked about collaborating at some point, but I believe that none of us had ever considered it for real, or anytime soon. (I certainly hadn’t.) But energized at Austin, and after a quick round of emails and conversations, it dawned on all of us that we all were at a point where we knew it was time to move on to the next level. And not just that, but also that we were at a perfect point in time, and pretty darn great position to start our own thing. And after some brainstorming and hand-wringing, and a lot of laughing, we found a name for this gig (Third Wave) and founded the company as quickly as our planning and our ongoing contracts allowed. From the very first idea (mid-March 2010) to launch (4 Oct 2010) it was hardly half a year. (Not bad, given that most work contracts in Germany won’t allow you to quit in less than 3 months.) And after the first (almost) three months I have no doubt that this was the absolutely right decision. There isn’t a day where I’m not happy about how things are evolving. (Thanks, guys!)

Thanks! So 2010 has been quite a ride, and I learned plenty. It was an intense year, and a fast one, and for next year I’ll probably change gears again and turn it up another notch (“to eleven!“). But what really blew my mind was the incredible support I got throughout the year from a whole bunch of people (none of who owed me anything), who just shared so many things, including the insights, experiences and nerves of steel, with me, and also with my co-founders. I really hope I can pay all this back, or forward, at some point. (Thank you so much – you know who you are.)

Awesome Foundation! One of the small ways I found of paying it forward is the Awesome Foundation, of which we set up a Berlin chapter. We already gave out our very first grant, so watch out for more! Also, I hear that the chapter is about to grow by quite a bit – and it makes me really happy to see so many people in Berlin (!) are willing to pitch in with their private cash (and with absolutely no business interest whatsoever) to foster awesome projects that wouldn’t happen otherwise. Go Awesome Foundation!

Next year! Next year will bring next steps on all these axes lined out above. One I’d like to point out (besides of course going back to NYC and Austin for SXSW) is an event I’m co-organizing: Cognitive Cities Conference (#CoCities), a conference focusing on the future of cities and technology, that we’ll hold at the end of February 2011. It’s kind of a nodal point (in Gibson speak) for me, the manifestation of both a group interest (emerging from Cognitive Cities blog), the topic cluster around smart cities, tech, data and urban planning, and a stress test for our company’s multi-tasking abilities ;) I’d love to get more involved, both privately and through work, in this field, and running this non-profit conference through our company allows me to do just that. Also, it’s a proof of concept, so to speak, insofar as the way CoCities came about might also work as a template for future emerging interests and ways to apply these interests, or rather to transfer them into actions.

Private! While I share plenty online, I’ve always felt that some aspects of personal life should stay largely off the web, and I’m standing by that rule of thumb. So let’s just say I’m very happy. (Again, thanks to all my friends and M. – You all rock!)

Off the grid! All that said, as of next week I’ll be off the grid for a few weeks, on a serious vacation with no (ok, maybe a little) connectivity. Thanks for the ride, and talk soon!

Photo by mr.beaver (some rights reserved)

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Konrad with Awesome folks

We’re building a hill for snow rides! Well, not we, but rather Konrad, seen above with a hat and one hand of the magic brown bag that holds the first grant that the Awesome Foundation Berlin just gave out in a short, but sweet ceremony this morning at Betahaus.

Konrad’s plan is still rough, but seems doable, and certainly inspired our imagination. Who doesn’t want to have a great hill for a good sledge ride?

As snow sets now we need a prepared hill somewhere easy reachable to do the wild rides on a sled, sledge, whatever you call it: Wilde Schlittenfahrt! I want to prepare a hill not far from the next S-bahnstation with a tractor and large drum so it has a hard ground to slide on it. Also if possible I would like to pay a little money to someone from the neighborhood to maintain the hill during days when there is not so much visitors. Promotion for the slide would be trough word of mouth and facebook. We did large public ice-skating events in the last cold winter where we invited people on lakes we tested before and provided drinks and food there. We will do this again but felt the need of a good slide as Berlin and Brandenburg is not very hilly!

Hopefully the kids in Berlin get a chance to have a decent sledge ride as well in this otherwise fairly flat city. We certainly can’t wait to take a ride ourselves.

Thanks for all the inspiring submissions. Please keep them coming, and feel free to submit again.

We’ll give out the next grant in March 2011 – so you can apply here until the end of February 2011!

Photo by Henrik Moltke (CC by)

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Last night I had the chance to watch the press screening of TRON:Legacy. In case you’ve lived under a rock over the last six months, here’s the trailer – pure visual pr0n:

For you to compare, and to appreciate the eye candy it is, here’s the original Tron trailer from 1982:

First thing first: I’m a big fan of the Tron franchise, and I enjoyed Legacy tremendously. So whenever a question arose, I’d give the movie the benefit of the doubt. If you didn’t like the original Tron, you won’t enjoy this one either.

That said, let’s dive into some questions and thoughts, mostly on a meta level. (Warning: There are some plot spoilers in the text below. Read on at your own risk.)

The Open Theme Most notably is the pro Open Source & Sharing stance the movie takes. While awkward in it’s rhetoric at times (the movie is aimed at a mainstream audience after all), the message is clear: The turned-evil Encom Corporation, built on the legacy of Tron inventor Kevin Flynn, claims that “the era of sharing software and giving it away for free is over”. Flynn’s son Sam however, the heir and biggest shareholder, who’s lack of interest in the company allowed the evil board to take over, turns out to be a free software advocate: “You can’t steal what’s designed to be free”, he says while leaking the brand new proprietary operating system by Encom called “OS XII”, one of many nice swings at Apple.

This theme of Openness vs Closed (as software paradigms) is present throughout the movie, and the sides are clearly attributed: open = good, closed = bad. (Quite funny, given that the movie is produced by Disney, who aren’t exactly known for their openness.) It surfaces many times: “Users”, humans who move inside “the grid” (the internet), have no rights. Hacking is not encouraged, and the few who are able to access the system on a deeper level have to leave the slick & glossy user-interface and find themselves in rugged terrain, visualized as a rugged, black mountains not unlike Mordor in Lord of the Rings. The off-grid areas, i.e. the intestines of the net, are of course where the real action happens, whereas the user interface, on-grid areas are what makes the movie look so fantastic.

A set designer’s wet dream The look & feel of Tron:Legacy is fantastic; nothing short of it. It looks breathtaking, stunning, gorgeous. The whole setting is constructed and designed with a level of detail, and with a mix of both physical and plenty of CGI elements, that makes me want to watch it again and again.

What I found particularly interesting is the many elements it quotes from the physical world – in the way “vehicles” (which are of course just software metaphors) move, how the competitive games are held in what resembles a giant football stadium, how a character is using digital qigong balls: all these might be deeper metaphors, or maybe a hat tip that helps us associate certain characters or scenes with certain stereotypes. Sometimes it’s a bit painful to watch, often it works wonderfully. It’s definitely interesting to watch.

A handful of actors and a slab of wood Tron:Legacy features possibly the worst & weakest lead character of all times (or at least the most recent decade). Which is such a wasted opportunity, as the rest of the crew are doing a great job. But let me quote Wired UK, who phrased it better than I could:

Garrett Hedlund is the worst offender — coming across not as a gifted hacker, but as a bewildered meathead. At the start of the movie he’s portrayed as a young man who’s never really grown out of being a petulant child — an image that he utterly fails to shed when he’s called upon to be heroic. Hedlund’s supporting actors, Jeff Bridges and Olivia Wilde, do their best to prop him up, but they’re fighting a losing battle. Bridges, who starred in the original, reprises his role, but doesn’t bring the gravity to any scene that he ought to with that pedigree. At several points, a little bit too much of The Dude slips through instead. Wilde is the only cast member who really stands out. Her character initially appear to be a stereotypical “badass chick”, but you swiftly discover that she’s actually a mega-geek. A spark of delight comes when you realise that, in Tron’s universe, being a mega-geek involves a fascination with paper and books, rather than computers. Although she spends a little too much screen time in awe of Hedlund’s character, she brightens any scene with an infectious enthusiasm for the world around her.

The same sadly goes for the dialogs, too: they’re so wooden, so stiff, that at one point I had to double check in which language I was watching the movie: I had the creepy feeling I was watching it in a badly dubbed German version – but I wasn’t, it was the English original alright, the dialogs are just the way they are.

There are a number of quotes, mostly by Bridges, that help break the tension – no doubt that’s what Wired mean when they say The Dude shows through Bridges’ performance – like when he ends a lengthy dialog about a philosophical conundrum with the line “Human form in a digital space. Heavy stuff.”

The Uncanney Valley is deep Speaking of actors: Jeff Bridges features in a double roll: As Kevin Flynn, the aged hacker who has resided inside the Grid for the last 20 years; and CLU, the program he developed “in his own image” to run the Grid, which looks like Flynn 20 years younger. This was done doing some massive CGi magic, and looks remarkably life like. Not quite enough though: this is total Uncanny Valley territory. This is particularly creepy (and interesting to watch) when the two differently aged versions of Jeff Bridges have a show down, engaging one another directly. Like so many times, it’s hard to tell if the crew just couldn’t get the CGI version of young Mr Bridges any better or if they allowed it to preserve a slightly creepy look because it makes sense in the context of the story. I tend to going with the latter.

Timeless or multi-dated? The Kevin Flynn that resides in the Grid is a pretty fascinating, or rather it’s fascinating how the character was designed. He’s portrayed as an aging electro hippie, living in his digital Bond villain’s penthouse lair, overlooking the Mordor-like sections of the Grid. His lodgings are glossy, slick and white, very minimalistic besides a few decor elements: some 19th century chairs, some 1960s chairs, a book shelf full of old books – tomes almost – and a large dinner table decorated with silver (silicone?) apples and the like. It’s both timeless and multi-dated, so to speak: minimalist style that could last ages, or a whole series of cultural references that make it look dated beyond its age. It creates a weird effect, I could never stop wondering if the designers were serious or pulling the viewers’ leg, challenging them to call that bluff.

A nice detail: the CLU, the almost fascist software ruler of the Grid, plans to leave the Grid and conquer the physical world (following word by word its programming that ordered it to “create the perfect world”), he assembles a massive army of (very Stormtrooper-looking) software soldiers – placing CLU clearly in a Cold War military mindset, totally consistent with when it was programmed in 1989. No asymmetrical warfare for CLU, no sir!

Clichés Galore It’s these references – often clichés, really – that also put this movie in our days: it’s a movie for the remix generation. It quotes, in wild order, Lord of the Rings, Star Wars, the Fifth Element, all kinds of the more recent vampire movies, the Matrix and plenty of the original Tron. Like I mentioned before, I had a nagging feeling I might be tested here, quizzed almost, and at some point someone would pull up the curtain and say: “Gotcha! Now on to the real stuff!” But it’s actually quite consistent that way, and it works if you let it work for you. (Which is why I meant earlier that you need to like the Tron franchise, or you won’t enjoy it.)

Full integration If there is one lesson to learn from Tron:Legacy, then it’s about integration. The way the movie integrates all these references; but also how integrated the soundtrack is into the movie. The very atmospheric, dark OST by French electro duo Daft Punk (video for the track “Derezzed” below) holds the film together, but very much stays in the background. Then, in one longer, very prominent club scene, you see Daft Punk DJ-ing in the club, and the main character in the scene actually talks to them, asking for music to support the next scene. It works brilliantly; and that’s despite it being so totally blatant, in your face.

In short: It’s hard to imagine that the movie would sustain itself in the cinematic history. But if you like TRON, it’s a must see, and pure visual pr0n.

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Cognitive Cities Conference logoExciting news: We just launched the website for Cognitive Cities Conference, the conference about the future of cities and technology that we’re putting together next February. (Details: 26/27 Feb 2011, Berlin.)

And hey, the site features cool speaker images, creepy map visualizations and soon some other eye candy. The only thing it’s missing, really, is unicorns ;)

Big props to the great folks (who are also our co-organizers) over at Your Neighbours as well as Fabian Mürmann for putting together the site – you guys rock!

The other thing: We put up the Early Bird tickets. You can get them now, as long as they last, for the reduced rate of €79 (including Amiando fees). (You can grab yours here.)

So what is Cognitive Cities about? Here’s the official super-short blurb:

We are at a point in time where the paths are set for the future of cities. The Cognitive Cities Conference (#CoCities) aims to bring the vibrant global conversation about the future of cities to Germany. We see CoCities as a platform for exchange and mutual inspiration. We invite urban planners, designers, technology geeks, environmental experts, public officials, urban gardening enthusiasts and cultural influencers to be part of the conversation. We can only make our cities more livable if we work together to improve them. CoCities is a two-day event: Day 1 is a full-on conference (ticket required), Day 2 is dedicated to exploring the city through workshops, guided tours and exhibitions (free entry).

With Heimathafen Neukölln we have a fantastic location, a grand old theater in the super lively (and decidedly pre-gentrified) neighborhood of Berlin Neukölln. This is where the first day of the conference (the actual “conference day”) will take place. On Day 2 (“activity day”) we’ll head out to a number of location for distributed activities ranging from tours to exhibitions to some other, totally awesome stuff that’s too hard to convey in two lines.

I’m getting really excited about this whole thing. Hope to see you there.

For more details and to get an Early Bird ticket check out http://conference.cognitivecities.com/

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TEDxKreuzberg

Last night TEDxKreuzberg was on, and I think it’s fair to say that it was quite a success. Sadly, my co-host Christoph was stuck in Zurich after his flight got cancelled. (Hans kindly stepped in as a moderator.)

Our four speakers, Darryl Feldman, Dmitry Paranyushkin, Ricard Gras and Michelle Thorne delivered fantastic presentations. And judging by the conversations and mingling going on during the break and after the event, the audience enjoyed themselves, too.

We’ll be putting up some photos and (hopefully) videos of the talks soon, too. Until then, feel free to talk to the speakers about their ideas – they’re all happy to share and discuss!

Thanks to the lovely Betahaus crew, who handled the on-the-grounds work despite some major last-minute changes, to my co-organizers Christoph Fahle, Igor Schwarzmann, Johannes and Hans Raffauf.

Photos by Igor Schwarzmann (CC by sa)

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I’ve been racking my brain over the last few days since the whole Wikileaks / Cablegate story began escalating. I’ve been trying, in short, to find my own take and standpoint on Wikileaks and the reaction to their recent publication of embassy cables. I’ve discussed it over and over with friends who have either a journalistic or a web background, and been reading a lot. And only now, and very slowly, am I even able to articulate a clearer, emerging position.

So bear with me while I try to sort out my own thinking. And believe me, it needs sorting out, as this whole situation touches on so many issues from media to political theory, from democracy to internet regulation. Yes, it’s that big, and anyone giving you a simple answer to any question here is full of it. This is not the time for simple answers, or even simple questions.

First of all, as a disclaimer: I can only speculate on Julian Assange’s motives or character. I never met him, so I’ll try to keep speculation to a minimum. That said, right on into the eclectic heap that these arguments represent.

Transparency vs Private Negotiations Transparency is good for democracy, and for mankind. However, not everything can (or should) be made transparent. Just like private conversations of citizens or individuals need to be protected from government (or corporate, for that matter) snooping, negotiations inside or between governments need some protection, too. In Clay Shirky’s words:

(…) human systems can’t stand pure transparency. For negotiation to work, people’s stated positions have to change, but change is seen, almost universally, as weakness. People trying to come to consensus must be able to privately voice opinions they would publicly abjure, and may later abandon. Wikileaks plainly damages those abilities.

That doesn’t mean a free pass for backdoor deals, or that governments shouldn’t be held accountable – not at all. It means that in order to truly deliberate, everybody on the table needs to be able to voice their opinions without fear of repression or (in a media-driven age and context) publication. No space to do this means no open-minded, frank negotiations. Instead we’d get just another media theater, and truly that’s not what we need.

Who to blame? On a pure who-to-point-a-finger-at level – and that includes legal and moral finger pointing – we need to ask ourselves: who do we want to blame, and for what? The arguments bounced around are manifold, and they range from weakening the state to treason (on Wikileaks’ side) to intransparency, bullying or abusing power (on several governments’ side). The blame game is, of course, a game that only knows losers: If we decide to go down that path (and it seems like that decision was made awhile ago) then we all lose. Was Wikileaks wrong in publishing the cables? Was it the US government’s fault not to share the information voluntarily? Or maybe a single member of the US army is to blame? Are we to blame for being like Faust, who wants to know everything, and Assange is just like Mephisto, offering us the secret knowledge? This cycle of questions leads nowhere.

I am curious, though, to see where the legal discussions surrounding Assange’s prosecution and arrest will lead us – that might be a different story altogether. (Keep in mind that Assange as an Australian citizen and Wikileaks are not beholden to the US government, nor is the US government accountable to non-US citizens, yet all of them are wrapped into layers and layers of international law.)

Is Assange right or wrong, and who takes the bullets? A sister to the blame question, but with a slightly different focus: Was it “right” (whatever that means) that Assange sought out and published the cables? I think this question really missed the point: it just doesn’t matter at this point, it’s moot.

I’m wondering: who will take the bullets, who will end up owning the risks and costs associated with the whole mess? On a direct line of action-and-reaction, Bradley Manning, the US Army soldier who gave Wikileaks the leaked data, might be the most direct casualty (if that term fits here) of the leaks. Potentially there’s some political fall-out within the embassies and in diplomatic circles. More indirectly, though: could the leaked cables lead to major political fall-out regarding North Korea or Iran? (Not that this necessarily matters if critical information was withheld from the public.) What will happen to the supporters of Wikileaks, those inside and outside the core team that may, or may not, agree with Assange’s course of action?

We don’t know yet what will happen to Assange after his arrest. But I’d wager that he won’t (and can’t) take the bullets for all the others who are now out there, involved in many different ways, in a conflict that is complex at best, devastating at worst. And that is played out with no open, reliable ground rules at all.

Has Assange ruined Wikileaks? Has he ruined Wikileaks, and if so, is this maybe his right as the founder? (And I’m saying this without any idea how many people are involved directly or losely.) The whistleblower platform has, it seems, become important way beyond one person. Or has he become, more than ever, Wikileaks, now that some members are distancing themselves from the platform? It seems, though, that Wikileaks is taking a lot of hits about this affair; or maybe this is the whole point of Wikileaks: to create, or highlight, pain points of sorts, and pushing over the edge is an inherent part of the platform? I’m really undecided on this one.

Due process is key for democracies An absolute core point is that no matter how you twist and turn it, due process is key for democratic governments. In a democratic society there are clear rules (including, but not limited to laws). I strongly urge you to read Clay Shirky’s thoughts on this:

I am conflicted about the right balance between the visibility required for counter-democracy and the need for private speech among international actors. Here’s what I’m not conflicted about: When authorities can’t get what they want by working within the law, the right answer is not to work outside the law. The right answer is that they can’t get what they want.

That’s really it: as the government, you have to work inside the law, the system, your mandate. Never ever may a US senator lean on private corporations to circumvent the rule of law, like Joe Lieberman did when he pressured Amazon to remove Wikileaks from their hosting service. Any action like this damages democracy and trust in the democratic so badly it’s hard to imagine that it can be reversed. (Although I hope and guess that eventually it will.) It certainly legitimizes those undemocratic, repressive regimes that the US usually fights, and that the internet usually helps bring more freedom to.

This kind of mafia-style bullying just adds more oil to the fire, and to increase the gaps between even the moderates on both sides of the aisle. If you’re not for us, you’re against us? This time, both sides play it. (Or maybe there are more than two sides here? It seems like it.) The tone is growing more and more hostile the more the conflict escalates. I condemn parts of Assange’s actions, parts of the US government’s actions. Either way, I get (rhetorical) flac because I cannot, and do not want to, side with one side only. There simply doesn’t seem to be a right or wrong – both sides, I’d wager, are behaving grossly wrong and unethical at this point.

The conflict escalates As things unfold, the conflict is escalating quickly. After the initial political fall-out, and the US gov’t leaning on Amazon and (probably) other companies – resulting in Amazon not hosting Wikileaks, neither PayPal nor VISA or Mastercard accepting donations on their behalf – now new players are entering the equation. Anonymous, the global hacker group, have been running attacks on a number of sites including PayPal.

And this is still fairly early in the game: Expect more to come over the next few weeks. Will Sweden extradite Assange to the US? If so, what will they do with him? What’s going to happen on a global political stage regarding those cables, North Korea, Iran? How many lines will the executive branches of the US and European countries over-step?

The bigger picture: What happens to Internet regulation? What I’m most concerned about at this point is: what will happen six months from now? So far, the internet is regulated through some legal layers, but mostly through private/industry and technical agreements. It looks to me like this is going to change, quickly, and not to the better. Years of multi-stakeholder negotiations (think IGF and all) might be in vain now, if the US government pushed ahead in the same style they’ve shown so far in this conflict.

RWW’s take on Wikileaks and the open web:

The ability for Internet companies and Internet users to be able to create and share without government intervention is not just a mark of free society. The tech industry pays a lot of lip service to the “open Internet,” arguing that it is the very thing that has fostered innovation in and growth of the industry. The filters, monitors, blocks, and blacklists associated with repressive governments, so the argument goes, serve not just to prevent access to information but to stifle creativity and entrepreneurship. No matter how one justifies the actions of Amazon and the like – Terms of Service or otherwise – the events this past week have not simply demonstrated the spinelessness of certain companies to stand up to government and public pressure; they have pointed to some of the weak links in the “open Internet,” those points of control that are particularly important (and seemingly particularly vulnerable).

We’ll know very soon, I’m afraid, if our relying on US-based companies for all we do on the web will turn out to be a mistake, and if the web can stay free for all. My fear is, and I can’t stress this enough, that the web will be “collatoral damage” in this conflict, getting tracked and supervised and simply an un-free place.

Let’s hope it won’t.

However, there is an upside, too. In the wake of Wikileaks, at least we have a great, inspired even, debate on the role of traditional media:

Wikileaks has ignited a debate about the rights and responsibilities attached to freeing information.It has illustrated that Governments, however well intentioned, do not have the best judgement in terms of what it is right for citizens to know. It has shown that the established media no longer necessarily gets to make that call either, and forces us all to think about the consequences of that shift. These questions are more pressing even than the constant din about finding new business models to sustain purpose. Finally we are talking about purpose first. How many news organisations now feel differently about how to host and serve content across the web in the wake of Amazon using its commercial prerogative to kick Wikileaks off its servers? How many correspondents and editors would balk at ruining long term relationships with the State Department to publish classified material of the leaked cables-type? (…) Journalism is not just an intermediary in this, it is part of this. Journalists need to know what they think about the mission of Wikileaks and others like it, and they need to know where they would stand if the data dropped onto their desks and the government pressured them to be silent.

Phew. Curious to hear your thoughts.

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“Recent Uploads” – Exhibition Opening from annika. on Vimeo.

My friend and extraordinary open designer Ronen Kadushin (see these blog posts) recently had a vernissage for his new exhibition called “Recent Uploads”.

Ronen says:

Each chair drawe its inspiration from different narratives: design references, emotional states, city life, and street art. (…) The chairs are laser cut from a 6mm aluminum sheet, and bent and assembled by hand. Bending a piece this thick is made easy using a hallmark detail I formulated a few years back; (…) The designs of the chairs were recently uploaded onto my website for anyone to copy, produce or experiment with.

In the video above, you can see how Ronen assembled (or rather: folded) a number of his open design chairs from a flat sheet of metal. It’s pretty amazing, really.

The designs are realeased under a Creative Commons license (by-nc-sa), so you can download and cut them yourself, or buy the complete pieces at Appel Design Gallery, Berlin.

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